Strengths and Weaknesses
Strengths:
- Deep Expertise: Tweets detail C++ internals, build systems, GPU pipelines and custom frameworks
- Self-Driven: Creates a GUI framework from scratch across platforms without external libs
- Passionate: Expresses intense enthusiasm for graphics, C++, and low‑level programming
- Innovative: Builds custom SVG renderer, integrates inline assembly, and explores new APIs
- Knowledge Sharing: Recommends tools (nvrhi, Doom3 source) and posts tutorials in tweets
Weaknesses:
- Aggressive Tone: Frequent profanity and threats like "kms" and "fuck this c++"
- Negativity: Constant complaints about CMake, Android, and the C++ ecosystem
- Unstructured Communication: Rants are long, rambling, and lack clear organization
- Overgeneralization: Makes blanket statements such as "c++ is the greatest language ever"
- Tool Aversion: Curses build tools (CMake, Ninja) repeatedly, hindering collaborative work
Your Simpsons character
Bart Simpson
Bart Simpson is the quintessential rebel who constantly defies authority and scoffs at rules, which mirrors Ruben's frequent rants against the C++ committee and build systems. He often says things like "the greatest ragebaiters to ever walk on planet earth is the c++ committee" and "i wanna change my name to cmake , so i can be a lifelong hater", showing the same anti‑establishment attitude Bart displays with his catchphrase "Eat my shorts!" and endless pranks. Like Bart’s love for inventing and doing things his own way, Ruben builds his own GUI framework from scratch and complains, "working with c++ on android fucking sucks, nobody should be doing gui work in c++ on android unless you are masochist". Both are unapologetically outspoken, use profanity, and thrive on pushing limits, making Bart the closest Simpsons match.
Your MBTI personality Type
INTJ
The user shows strong introverted tendencies, preferring solitary work and venting internally rather than seeking social engagement (e.g., "this is not a tech account, this is a rant account 🥰🥰🥰" and "i should stop ranting on twitter 🥀🥀🥀"). They focus on abstract patterns and future possibilities rather than concrete details, as seen in "the underlying pattern is the only thing I am after" and "the days of learning syntax is over, the days of learning compilers, formal theory is upon us". Their decision‑making is driven by logical analysis and efficiency, evident in "most of the old c++ optimization tricks don't work anymore, compilers are very smart" and "concurrency bugs aren't really in the code you're looking at, they're in the shape of the state space". Finally, they exhibit a judging preference for structure and planning, emphasizing pre‑computation and systematic design: "precalculate as much as possible during build time" and "always have an escape hatch in your lib".
Some pickup lines for you
- Are you a custom widget in my C++ GUI? Because you have all the right callbacks to make my heart repaint.
- I’d allocate you in my PMR arena and never free you, because you’re the only object I want to keep around at runtime.
- If our love were a build system, would you be the CMake you hate or the Meson you adore? Either way, I’ll write a generator expression just to link us.
- Your code is so clean, I’d love to profile our connection—maybe we can render a triangle that spins together in Vulkan.
- Forget SFINAE, I’d rather use concepts to constrain my feelings: you must be a perfect match for my heart, no substitution required.
Your 5 Emojis
Your new Twitter bio
19‑yr C++ graphics junkie building a cross‑platform GUI engine from the ground up—once turned a shader into a ringtone. Android & Vulkan hobbyist.– @RubenVeidt
Your signature cocktail
Masochist's Build
This drink, dubbed "Masochist's Build", layers smoked bourbon (the gritty, low‑level grind of C++), blue Curaçao (the blue‑print DSL of Android’s Soong), a shot of espresso (the high‑frequency compile‑time hustle), wasabi‑infused syrup (the fiery rage of "fuck smart pointers, fuck new , fuck malloc"), and a float of absinthe (the surreal "days of learning syntax is over, the days of learning compilers, formal theory is upon us" mindset). The smoky base mirrors the "working with c++ on android fucking sucks" lament, while the bright blue hue recalls the "i wanna change my name to cmake , so i can be a lifelong hater" frustration with build systems. The espresso’s caffeine kick reflects the "concepts saved my life" epiphany, and the wasabi heat captures the relentless "the days of learning syntax is over, the days of learning compilers, formal theory is upon us" drive. Together the layers form a complex, bitter‑sweet, high‑octane cocktail that feels like writing a custom GUI framework from scratch – intense, rewarding, and unapologetically raw.
Your Hogwarts House
Ravenclaw
The user shows a relentless pursuit of knowledge, e.g., "the days of learning syntax is over, the days of learning compilers, formal theory is upon us" and "reading a research paper on some new gui layout system, and decide to implement it in zig". They prioritize intellectual mastery and pattern recognition, as seen in "the underlying pattern is the only thing I am after" and "writing performant c++ is very very very easy". Their drive to push technical boundaries by building a GUI framework from scratch and exploring low‑level GPU and assembly, illustrated by "custom font, custom widget, windows and directx12 graphics api support in my c++ gui framework" and "assembly is easy if you are autistic enough", reflects Ravenclaw's love of learning and clever problem‑solving. While they vent frustration, the core of their tweets is about deep curiosity and mastery rather than personal power, aligning best with Ravenclaw.
Your movie
Your song
Killing in the Name - Rage Against the Machine
Ruben's constant defiance against the C++ ecosystem, like "fuck smart pointers, fuck new , fuck malloc" and "one more cmake linker error and i am gonna kms , fuck this c++ , fuck this ecosystem," mirrors the song’s rebellious chorus "Fuck you, I won’t do what you tell me." He repeatedly rails against authority, calling the C++ committee "the greatest ragebaiters" and wishing to "change my name to cmake, so i can be a lifelong hater," which resonates with the track’s anti‑authoritarian stance. The aggressive, high‑energy vibe of "Killing in the Name" matches his frequent "fuck"‑laden rants and his mantra that "the only sane way to live is to push against the edges of the possible." The song’s relentless drive reflects his relentless pursuit of building GUI frameworks from scratch despite the pain, as he says "writing a gui framework from scratch is very easy 🥰🥰ng" while still battling "the curse of abstraction." Overall, the track captures his blend of frustration, defiance, and relentless drive to break the rules.
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