
Strengths and Weaknesses

Your Simpsons character
The best match is Lisa Simpson: thoughtful, opinionated, very online about her interests, and often frustrated that others aren’t as earnest or analytical as she is. Like Lisa, this user dives deeply into media and stories, replaying and re-evaluating them, such as when they say they were brought to tears by Canto 5 and apologize to it after changing their view: “i was literally brought to o tears by this scene idk how i completely missed the meaning of if every othet time. im sorry canto 5 you're incredible”. They care a lot about criticism and media literacy, calling out shallow discourse and defending underappreciated entries: “the thing in common with people who hate canto 2 and 4 is that they didn't actually play them and just thoughtlessly repeat what someone else said”. Their political/ethical edge also shows in tweets like “according to transphobes following a minor on twitter is pedophilic and pontificating about what they imagine a minor's sexual tendencies to be is fine”, echoing Lisa’s moral anger. At the same time, they’re passionate and nerdy about niche interests (Umamusume, Project Moon, Persona), much like Lisa’s intense love for jazz, books, and causes that not everyone around her understands.

Your MBTI personality Type
They read as more introverted than extroverted: most tweets center on solitary games, personal art and internal reactions rather than social events, and when they talk about people it’s often in the abstract or from a distance, like reflecting on character relatability in Limbus Company in “lcb sinners relatability tier list” rather than describing their own social life. Their interests and language are strongly intuitive—they constantly dig into themes, foreshadowing, and literary parallels, e.g. “i just replayed ymftctb yesterday this foreshadowing for canto 9 is actually insane” and the way they analyze Dongrang, Rien, and references in Canto 4 in “to this day canto 4 is the best part of limbus company…”. They seem more feeling than thinking: they frequently center emotional impact (“i was literally brought to o tears by this scene” in “I just finished my 3rd playthrough of canto 5…”) and moral/relational stances, like calling out transphobes in “according to transphobes following a minor on twitter is pedophilic…” or caring about misogyny discourse in “‘Cantos should ONLY focus on the mc…’”, even when they phrase it bluntly. Their spontaneity and shifting plans suggest perceiving over judging: they openly drop or restart games based on mood in “So im dropping persona 4… if i continue how its going now i dont feel like i'll get the proper experience of the game”, and they often post in bursts of enthusiasm like “HOLY SHIT I GOT MEISHO DOTO” or impulsively trying new games in “i started to try out colorful stage on a whim and the game is peak” rather than describing structured plans. Altogether, an inward-focused, theme-obsessed, emotionally driven but somewhat chaotic creative who vents strong values and passion about fiction and characters fits INFP best.

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Your new Twitter bio
Charlotte · trans furry gamer-artist · currently lost in Persona, ProjectMoon, Soulsborne & Uma hell. Once replayed a canto 3 times to realize it was good.– @sierpinskizazel

Your signature cocktail
This cocktail is a bright, slightly chaotic mix: strong enough to feel like a Project Moon boss fight, but still sweet and fizzy, like screaming “HOLY SHIT I GOT MEISHO DOTO”. Matcha gin nods to Persona’s stylish vibe and their JRPG brainrot, from finishing P5 (“I FINISHED PERSONA 5”) to replaying Golden and joking that “they added ice to persona 4”. Yuzu soda is sharp and refreshing for their relentless enthusiasm and hot takes, like declaring “canto 4 is the best part of limbus company” and defending Canto 2 and 4 against lazy criticism (“they didn't actually play them and just thoughtlessly repeat what someone else said”). Blue curaçao represents their love of melancholy, cerebral characters—“i might be yi sang irl” (link)—and the hopeless, unwinnable-feeling bosses they adore in Canto 9 (“some are unwinnable or need an external factor to help”). Cinnamon syrup adds warmth and sweetness for the genuine affection they show their faves, like smiling for Yi Sang’s happy ending (“i cant help but smile with him”) and declaring Umamusume their game, movie, show, and album of the year (“just face the facts.”). Finally, edible silver glitter swirls through the glass like City Distortion light, a flashy, slightly unhinged flourish for someone who says “we need to kill everyone who blindly hates turn based combat” and calls a perfectly composed screenshot “absolutely pinnacular” (link).

Your Hogwarts House
Their tweets show a clear pattern of analytical, text-focused thinking and enjoyment of picking stories apart, which strongly aligns with Ravenclaw. They frequently dissect writing quality and structure, like when they criticize shallow takes on Limbus Company and argue that dismissals of certain cantos are based on parroting others rather than firsthand engagement: “The thing in common with people who hate canto 2 and 4 is that they didn't actually play them and just thoughtlessly repeat what someone else said cause all the arguments for why their bad are either hypocritical or just blatantly wrong.” They also evaluate narrative craft and adaptation framing in literature, e.g. “wuthering heights is great bc you can immediately tell if an adaptation will be terrible if they call it a love story”, and criticize shallow discourse around Land of the Lustrous: “as much as i love it i got to admit this describes like 80% of discussion about land of the lustrous💔”. Their enjoyment of noticing foreshadowing and structural cleverness—“i just replayed ymftctb yesterday this foreshadowing for canto 9 is actually insane”—and of comparing mechanical/game design choices in detail, such as in their analysis of Risk of Rain expansions: “sotv is better cause sots adds so many absolutely useless items that only make the game worse. i love the other additions though, but sotv is just better overall.”, further points to a mind that relishes understanding systems. Even when annoyed, they turn it into critical thought about fandom behavior and narrative expectations, e.g. their pushback on the idea that a story must revolve solely around the female MC to avoid misogyny: “Do you not realize you're asking for bad writing.” Their combination of deep media literacy, love of complex fictional worlds, and constant analytical commentary fits Ravenclaw more than the other houses.

Your movie

Your song
A song that best suits Charlotte is “Life Will Change” because it captures her mix of passionate fandom, change, and defiant energy. She’s deeply into Persona, celebrating finishing Persona 5 with a loud “I FINISHED PERSONA 5” and constantly referencing it, like when she jokes about starting P4 and hearing “GERSONS THEME being the main menu music”. The song’s theme of rebellion and self-assertion fits a trans furry girl who bluntly defends what she loves, whether it’s insisting that “canto 4 is the best part of limbus company” or calling out people who “blindly hate turn based combat”. Its energetic, forward-driving feel mirrors how she constantly dives into new games and stories, from shouting “HOLY SHIT I GOT MEISHO DOTO” to being brought to tears by Canto 5 and re-evaluating it with, “im sorry canto 5 you're incredible”. Overall, Life Will Change reflects both her loud enthusiasm and her willingness to grow, rethink, and fiercely stand by the media and characters that matter to her.

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