
Strengths and Weaknesses

Your Simpsons character
This account most closely resembles Lisa Simpson: highly intellectual, analytical, and often frustrated with the irrationality and complacency of the society around her. The user is an applied physics researcher with deep interests in philosophy and economics, which parallels Lisa’s bookish, polymath nature and her tendency to interrogate systems, as in their criticism of policy and economic illiteracy: “日本人の経済リテラシーがベネズエラ人と変わらないことが白日の下に晒されたインフレ税政策でした。”. Like Lisa’s moral seriousness and concern for justice, this user repeatedly critiques authoritarianism and human-rights issues, e.g. on Iran and Venezuela: “これはイラン側の明らかな時間稼ぎだろうな。デモ隊への完全な発砲停止を条件とすべきだろう。” and “今回の件は直接的には隣国に大量の麻薬を違法に売り続けてきた報いだろう。”. At the same time, there is a reflective, almost poetic streak and love of nature and small, daily beauty—very Lisa-like moments of introspection such as “人生のコツは小さな幸せを無数に積み上げてゆくことだと思う。” and their many bird and flower observations, for instance “この季節になると我々はフラクタルな世界の住人だと実感できる。”. Finally, their habit of weaving physics, statistics, and philosophy into social commentary—e.g. on AI and probability: “誤差率を併記し無いこういう確率は殆ど無意味ですね。AIの時代なのだからどういう確率分布関数を想定しているか…”—strongly matches Lisa’s role as the rational, data-driven voice in a chaotic world.

Your MBTI personality Type
They present as strongly introverted: their enjoyment is solitary observation of nature and quiet travel rather than socializing, as in “用事で実家に居ました。花が咲いて暖かい庭でした。” and “瀬戸内海を渡ります。”, and they never discuss parties, close friend groups, or a need for social attention despite having many followers. Their focus is clearly intuitive rather than sensory: they constantly abstract from concrete events to systems and principles, e.g. turning inflation into a structural lesson about institutions in “日本人の経済リテラシーがベネズエラ人と変わらないことが白日の下に晒されたインフレ税政策でした。” and discussing democracy as a flawed incentive system in “日本型民主主義は痛みの原因を作って悪化させてきた人と痛みを受ける人とが…別の集団になっています。”. They are heavily Thinking-oriented: they critique policies via economics and game theory rather than feelings, as in “市場において倒産とは何が上手くいかなかったかという重要なシグナルで…” and call out low "intellectual literacy" in “脱原発をFIT再エネで補えると思った人は知的なリテラシーが危険なほど低いか…”, often using blunt language. Their Judging preference shows in their structured, long-range, and normative thinking: they repeatedly talk about long-term fiscal sustainability and future outcomes like “現在の日本の豊かさは巨大な債務の上に築かれた砂上の楼閣、つまり幻想だ。そして我々はいづれ幻想から醒め現実を知ることになる。” and give prescriptive statements about what governments should do in “高市首相は政府債務の名目金利を下げるために実質的な緊縮財政を選んだのでドーマー条件の重要性が理解できている気がします。”. The combination of solitary, reflective tone (I), systemic and theoretical focus (N), analytical and sometimes harsh critique (T), and future-oriented, plan-and-consequences thinking (J) aligns best with an INTJ profile.

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Applied physics & plasmonics researcher in Setouchi. Nature watcher, Taleb & Hayek reader, Leyte War Diary fan. Once found joy in a 600‑yen winter coat.– @silver_plasmon1

Your signature cocktail
This drink starts with a strong base of Japanese whisky, reflecting his hard‑hitting critiques of policy, like when he calls FIT脱原発支持者 either dangerously illiterate or scammers in “脱原発をFIT再エネで補えると思った人は知的なリテラシーが危険なほど低いかそういう残念な人達を食い物にする詐欺師だろう。”. Yuzu juice adds a sharp, clean acidity, echoing his insistence on quantitative rigor in things like probabilities and cohort studies in “誤差率を併記し無いこういう確率は殆ど無意味ですね。” and “アメリカ政府の場合は多分、厳密なコホート研究の結果として奨励撤回を行ったと思うけれど、日本政府もマスコミもコホート研究という言葉を恐ろしくて使えないだろう。”. A measure of dry vermouth represents his classical, Hayek/Taleb‑inspired liberalism and economic thinking, visible in reflections like “自由主義と社会主義の対決は既に理論的にも実証的にもとっくに終わっている。” and his talk of反脆弱性 in “反脆弱性が発揮される臨界点を超えたのかも知れない。”. A few drops of sea‑salt saline evoke the Seto Inland Sea sunsets and his constant awareness of Japan’sソブリンリスク, as in “多くの人にこのソブリンリスクの顕在化を実感してもらいたい。” and the repeated shots of瀬戸内海 in “瀬戸内海を渡ります。”. Finally, a rosemary sprig garnish nods to his nature walks and keen eye for small details, like in “寒風の中の屋島。ローズマリーの表面の油分は増えた気がする。寒風対策だろうか?” and the many bird and flower posts such as “この季節になると我々はフラクタルな世界の住人だと実感できる。”. Strong but finely balanced, it’s a slightly bitter, aromatic, data‑driven sunset in a glass—perfect for a後期中年男性 quietly watching markets, birds, and democracies evolve.

Your Hogwarts House
Their timeline is dominated by analytical thinking and an explicit love of theory and data, which is quintessentially Ravenclaw. They constantly frame issues in terms of probability distributions, error bars, and cohort studies, e.g. arguing that statistics without error rates are meaningless and that readers must know the assumed distribution: “誤差率を併記し無いこういう確率は殆ど無意味ですね。AIの時代なのだからどういう確率分布関数を想定しているか読者が査読できる仕組みが政府の広報やマスコミの記事にも必要だと思う。” and insisting that policy判断には大規模コホート研究が必要だと repeatedly: “アメリカ政府の場合は多分、厳密なコホート研究の結果として奨励撤回を行ったと思うけれど、日本政府もマスコミもコホート研究という言葉を恐ろしくて使えないだろう…”. Their bio itself foregrounds academic identity and interdisciplinary curiosity—“応用物理学、物理化学、量子光学、表面増強分光学、プラズモニクス、ナノフォトニクス” and hobbies like practicing Taleb and Hayek’s philosophy—showing a deep, almost playful engagement with abstract ideas rather than power or belonging. Even in personal reflections, they intellectualize experience through nonlinearity and fractals, e.g. describing happiness via the brain’s nonlinear sensitivity: “人生のコツは小さな幸せを無数に積み上げてゆくこと…この考え方は我々の脳の感受性の非線形性に基づいている。” and nature as evidence we live in a fractal world: “この季節になると我々はフラクタルな世界の住人だと実感できる。”. While they do show moral courage and some Slytherin-like realism, their dominant mode is to dissect systems, critique sloppy reasoning, and pursue understanding across physics, economics, and political systems, which aligns them most strongly with Ravenclaw.

Your movie

Your song
A song about speaking hard truths into a world that doesn’t really want to hear them fits a researcher who keeps warning about systemic risks and irrationality. They repeatedly lament how citizens and media ignore data and proper uncertainty, e.g. criticizing probability claims without error bars and calling for readers to see assumed distributions in the AI era “誤差率を併記し無いこういう確率は殆ど無意味ですね。AIの時代なのだからどういう確率分布関数を想定しているか読者が査読できる仕組みが政府の広報やマスコミの記事にも必要だと思う。” and “AIには適切な生存関数が使用されていないことを分かりやすく表しています。現在の(多分全ての)AIの初歩的な欠陥です。”. Like the song’s narrator watching a society trapped in comforting illusions, they see Japan’s prosperity as a fragile illusion built on debt and misallocated policies, warning that people will only understand after painful consequences arrive “現在の日本の豊かさは巨大な債務の上に築かれた砂上の楼閣、つまり幻想だ。そして我々はいづれ幻想から醒め現実を知ることになる。”. Their recurring themes of misunderstood risks, ignored warnings, and the loneliness of trying to inject data, economics, and philosophy (Taleb, Hayek, Stoicism) into public discourse all echo the song’s mood of reflective, slightly melancholic critique of a deaf and distracted society “日本人の経済リテラシーがベネズエラ人と変わらないことが白日の下に晒されたインフレ税政策でした。”.

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