Strengths and Weaknesses
Strengths:
- Client‑oriented: They stress good communication, speed, and responsibility with commissions, e.g. talking about 8–9 years of commission experience and valuing productive, collaborative clients in “It doesnt seem like it, but I actually have taken commissions on and off for the past 8 9 years!” and “And I like commissions not only for money… being paid motivates me to work fast and do my best!”.
- Hardworking: They juggle many WIPs, learning Live2D, anatomy studies, and large projects (e.g. “biting off more than i can chew with the current project i'm working on, but it will look so cool” and “fighting art block one short study at a time”), showing sustained effort to improve.
- Self‑aware: They openly analyze their own habits and limits, e.g. acknowledging inconsistent posting and reasons in “Me: I want to have a audience Also me: doesnt draw consistently…” and recognizing their struggle drawing women in “People followed me for the sexy naked man, but the truth is I like women more, just cant draw them well”.
- Supportive: They promote and thank others, e.g. boosting another artist’s OC in “OC belongs to @ merletka on tumblr (go follow her!)” and appreciating collaborators in “I made the #Live2D animation for this dynamic wallpaper for Toki!! Thank you for the chance to work with your beautiful art!”.
- Passionate: They express strong enthusiasm for their interests—Obey Me, specific characters, Live2D and games—e.g. “I should draw more Simeon I dont care that obey me is ending, he is my favourite character” and “SO PRETTY I love you Fu Xuan”.
Weaknesses:
- Inconsistent output: They recognize difficulty posting regularly despite wanting an audience, as in “Me: I want to have a audience Also me: doesnt draw consistently, doesnt even tweet anything, doesnt take part in art flashmobs” and noting many WIPs but little to post in “My problem is that I start doing big OC projects and have nothing to post”.
- Self‑critical: They often put their own work down or express frustration, e.g. “I want to just fold my drawings into paper airplanes and throw them off a cliff” and feeling demotivated by poor reception in “Oh boy do I love it when the result of a week of effort flops”.
- Skill‑gap anxiety: They are held back by worry about uneven skills, particularly environments and style, e.g. “i want to learn to draw backgrounds/environments but I'm way too bad at them; if i try to draw a character in an environment, the skill gap is too big” and “i want to change my artstyle to be more cutesy/anime like, but i just naturally gravitate towards more mature facial proportions”.
- Overcommitting: They frequently take on ambitious projects that strain their capacity, as shown in “biting off more than i can chew with the current project i'm working on” and having “so many WIPs and not enough time” in “I have so many WIPs and not enough time Here is a little chimera #falin wip”.
- Exposure‑focused: They worry about reach and verification in ways that seem to stress them, e.g. “My problem is that I start doing big OC projects and have nothing to post + there are no hashtags, so the WIPs don't get any reach” and “They say you need to post on Twitter daily Unfortunately I have nothing to say so I'll remind you that I have comm*ssions open… I only need 3 commissions and overall 100$ earnings to get there!”.
Your Simpsons character
Lisa Simpson
They most closely resemble Lisa Simpson: thoughtful, creative, and a bit self-critical while being very serious about their craft. Like Lisa practicing her sax and school projects, this user is intensely dedicated to art and constant improvement, posting anatomy studies and Live2D work-in-progress pieces such as “fighting art block one short study at a time” and “Live2D model eye rendering progression over time”. They reflect on productivity and discipline—“Me: I want to have a audience Also me: doesnt draw consistently…”—in a way that feels very Lisa: aware of what they ‘should’ be doing and mildly frustrated with themselves. Their ethics also stand out, from “NO AI 🚫” in the bio to criticizing irresponsible commission work in “I can never understand artists being irresponsible with pre paid com*ssion work…”, echoing Lisa’s strong moral compass. And like Lisa’s mix of earnestness and niche interests, they are very fandom/nerd-culture driven—gacha games, Obey Me, vtubers—while still being reflective and emotionally open about art, work, and mental health, as in “My mental stability requires me to draw a hot man in a compromising position…”.
Your MBTI personality Type
INFP
They read as an introvert (I) who wants an audience but struggles with visibility and over-sharing; they joke about having nothing to say while still wanting followers, e.g. “Me: I want to have a audience Also me: doesnt draw consistently, doesnt even tweet anything, doesnt take part in art flashmobs 👍”, and often focus on solo activities like drawing, gacha games, and rigging rather than social events. Their focus on internal motivation, personal meaning, and imagined scenarios over pure concrete details suggests intuition (N): they talk about how a beautiful body feels like “a mechanism… like a satysfying ASMR” in “Its aesthetically pleasing but not really that 'hot' to me… its like a satysfying ASMR” and reflect on art style identity in “i want to change my artstyle… idk what to do with that”. Their value language and empathy show a clear feeling (F) preference: they rant about irresponsible artists from a value/ethics standpoint in “Do you not want to do a good work, complete it as fast as possible, and be free??”, and they emphasize enjoying good customer relationships in “working together with a nice customer is cool 👍”. Finally, they seem more perceiving (P) than strictly structured: they frequently mention WIPs, art block, procrastination and changing plans—“biting off more than i can chew with the current project i'm working on, but it will look so cool 🙏 thankfully i dont have a deadline” and “My problem is that I start doing big OC projects and have nothing to post… maybe I'll postpone everything and do that now..?” show flexibility, spontaneity, and difficulty sticking to rigid schedules despite a desire to be more consistent. All of this aligns best with INFP: introspective, creative, values-driven, and somewhat unstructured but passionate about meaningful projects.
Some pickup lines for you
- If your VGen verification only needs $100 and three commissions, can I just commission you to draw us on a date three times and speedrun both our happy endings?
- You said your mental stability requires drawing a hot man in a compromising position in 1–3 days—does it count if the hot man is me and the compromise is you letting me pay for dinner first?
- You’re out here turning Manato’s chest and thighs into water balloons, but my heart’s already got the most scuffed physics rig—one look at your Live2D showcases and it started bouncing without keyframes.
- You keep saying you can’t draw women well, but you literally painted Simeon as your ‘wife’ and called Baizhu and Fu Xuan ‘wife’ too—so, hypothetically, if I apply for that position, do I get a detailed render or a Live2D model?
- You love muscular anatomy like a perfectly tuned mechanism and complain about lineart making you ‘homophobic’, but from all your studies and thirsty Manato animations, I’m starting to think the real masterpiece you’re rigging is my standards in partners.
Your 5 Emojis
Your new Twitter bio
Illustrator & Live2D rigger making pretty boys wiggle on your screen. Once gave a client a :3 mouth by instinct. Commissions open, no AI.– @spntstt
Your signature cocktail
The Live2D Serpentine Thirst Trap
This cocktail coils around you like a pretty-boy VTuber model: the matcha gin brings a focused, slightly bitter kick, echoing their disciplined commission grind and frustration with flaky artists in “I can never understand artists being irresponsible with pre paid com*ssion work...”. Lychee liqueur adds floral sweetness for their tender obsession with wives and husbands in games, like “Not playing the new obey me game until my wife is romanceable ✌️” and “I've finished painting my wife Messy but fun and I love him”. Sparkling yuzu soda keeps it bright and playful, mirroring their chaotic art energy in “fighting art block one short study at a time recorded the moment i locked in” and their gleeful animation experiments like “Someone told me to animate him... The dark side is calling for me”. A dash of saline nods to the salty, self-aware humor in posts like “Me: I want to have a audience Also me: doesnt draw consistently...” and “Oh boy do I love it when the result of a week of effort flops 🥲”. Finally, edible silver shimmer swirls through the glass like Live2D physics, celebrating their pride in rigs and models in “#Live2D #Live2DShowcase Finally finished my first model! He is my precious son and I'm happy with how he came out :)” and their desire to "cook" with animations in “holy shit I cooked so hard. its done.”. Strong enough to feel it, soft and sparkly enough to still be cozy, this is a sweet-thirsty, slightly bitter, experimentally animated drink—just like their timeline.
Your Hogwarts House
Hufflepuff
Their timeline shows a strong Hufflepuff core of work ethic, reliability, and warmth toward others. They emphasize being a responsible, fast, and communicative worker, saying they “communicate well, work as fast as possible and had good experience doing that” in commissions and wishing they could stay in that productive “flow” consistently: “It doesnt seem like it, but I actually have taken commissions on and off for the past 8 9 years! I communicate well, work as fast as possible and had good experience doing that; wish I could be in that 'flow' consistently”. They explicitly contrast themselves with “irresponsible” artists who delay prepaid commissions, stressing fairness and respect toward clients: “I can never understand artists being irresponsible with pre paid com*ssion work... You've been paid?? Do you not want to do a good work, complete it as fast as possible, and be free??”. They also talk about genuinely enjoying collaborative work and kind customers—“working together with a nice customer is cool” and being paid motivates them to do their best: “And I like commissions not only for money… And I like art/myself/life in general the most when I am productive and creative Also working together with a nice customer is cool 👍”. Even outside work, that gentle, caring temperament shows up in small, wholesome moments like, “Today I have pet some goats 10/10 experience, my soul is healed” “Today I have pet some goats 10/10 experience, my soul is healed”. While they are ambitious about verification and growth, the dominant throughline is diligence, fairness to clients, and a kind, steady-hearted attitude—classic Hufflepuff traits.
Your movie
Your song
Work Bitch - Britney Spears
A fitting song for them is Work Bitch by Britney Spears, because so much of their timeline is about grinding on art and commissions while chasing goals. They talk about wanting to get verified and pushing themselves, saying things like "I only need 3 commissions and overall 100$ earnings to get there!" and "I have finally finished setting up my commissions on VGen! I make VTuber models, Live2D rigs & animations and draw :)". The song’s message of hustling for what you want matches their attitude toward paid work and professionalism: "I communicate well, work as fast as possible and had good experience doing that" and frustration with others being irresponsible with commissions: "You've been paid?? Do you not want to do a good work, complete it as fast as possible, and be free??". At the same time, they constantly juggle art, games, and burnout—"I have so many WIPs and not enough time" and "biting off more than i can chew with the current project i'm working on, but it will look so cool 🙏"—which echoes the song’s glamorous-but-tiring grind. Even when blocked or exhausted, they keep returning to productivity and improvement, like "fighting art block one short study at a time", perfectly mirroring the relentless, push-through-it energy of the track.
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