
Strengths and Weaknesses

Your Simpsons character
This user most closely matches Bart Simpson: loud, irreverent, and emotionally expressive but with a surprising amount of heart. Their timeline is full of impulsive, over-the-top reactions like “MORO ARC FUCK YESSSSSSSS FUCK YESSSSSSSSSSSSS I WANT TO LIVEEEEEEEEEEEEEEEE WERE FREE WE ARE FREE”, which captures Bart’s hyperactive enthusiasm. They’re snarky and combative in a comedic way, as seen in “Those modulo leaks... im young and skinny again...” and “Who actually gives a fuck about he man besides kevin smith”, echoing Bart’s tendency to roast people and pop culture. At the same time, there’s a vulnerable, self-aware side in posts like “biggest goal for this year beyond generally stop being fat and bumming is relearning spanish. I have literally no culture or heritage I at least need to have this.” and the self-soothing mantra “Youre not allowed to hurt yourself over things that dont matter...”, similar to Bart’s hidden sensitivity beneath the class clown act. Their love of nerdy media, chaotic humor, and ride-or-die support for friends, like “Please play this. Please play this. My friend will give up on his dreams maybe not maybe forever if you dont.”, rounds out a very Bart-like mix of mischief, fandom, and loyalty.

Your MBTI personality Type
They lean Extraverted: they constantly engage with fandoms and discourse, reacting loudly and performatively to news and media, e.g. their burst of excitement in “MORO ARC FUCK YESSSSSSSS FUCK YESSSSSSSSSSSSS I WANT TO LIVEEEEEEEEEEEEEEEE WERE FREE WE ARE FREE” and unabashed commentary like “Who actually gives a fuck about he man besides kevin smith”. Their focus is clearly Intuitive: they argue about storytelling potential and meta, such as discussing underused narrative possibilities in “Jjk character tierlist and explanations for characters i dont think the narrative met the full potential of” and adaptation as an authorial second chance in “Not a lot of adaptations have the opportunity for the author themselves to fix something they disliked in their story”. They are strongly Thinking-oriented, critiquing arguments and people in a blunt, sometimes harsh style: “The debate of manga vs comics sucks ass because of the people that argue about it… Its almost always larp v larp and its so gay” and “Actual nobody here trying to shit on Matt… Theres more talent in the nipples he breastfed on than youll ever have in your life” show logic-driven takedowns with little concern for politeness. Their lifestyle and tweeting pattern suggest Perceiving: they impulsively celebrate small wins and distractions like “Random student refund just hit” and “2 dollars in my account and i spent 20 cents of it on the rukia fortnite skin”, and treat goals loosely, as in “biggest goal for this year beyond generally stop being fat and bumming is relearning spanish” without any sign of structured planning. Altogether, the outspoken debate energy, meta-analysis of media, cutting humor, and spontaneous, unstructured life updates are most consistent with ENTP.

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Planet Vegeta export. Comics & manga truther, Dragon Ball evangelist, part-time artist, full-time air fryer convert. Saving for games, not heritage.– @SpookoWooko

Your signature cocktail
The mezcal brings a smoky, battle-scarred edge that fits someone tweeting from Planet Vegeta and losing their mind over Dragon Ball reveals like “MORO ARC FUCK YESSSSSSSS FUCK YESSSSSSSSSSSSS I WANT TO LIVEEEEEEEEEEEEEEEE WERE FREE WE ARE FREE”. Matcha syrup nods to manga marathons and art grinds, plus the self-aware media takes like “The debate of manga vs comics sucks ass because of the people that argue about it.”. Grapefruit juice adds a sharp, bittersweet hit for those self-improvement arcs and vulnerability, as in “biggest goal for this year beyond generally stop being fat and bumming is relearning spanish. I have literally no culture or heritage I at least need to have this.”. The tamarind chili rim is for the spicy, occasionally feral timeline energy, whether it's defending friends with “Theres more talent in the nipples he breastfed on than youll ever have in your life.” or roasting fandom discourse. Finally, a splash of energy drink captures the chaotic, air-fryer-fueled hype of “Holy fuck this shit is insane all the memes are true. I literally never have to use my actual oven again” and the all-caps anime meltdowns like “HANS ZIMMER FOR MUSIC OH MY GODDDDDDDDDDDDDDDDDDD”.

Your Hogwarts House
Their tweets show a strong mix of analysis, media literacy, and creative thinking that aligns best with Ravenclaw. They break down fandom discourse in a meta way, criticizing shallow arguments on both sides in the manga vs comics debate, noting that it’s “almost always larp v larp” in “The debate of manga vs comics sucks ass because of the people that argue about it. Those that dont know anything about the other side and also dont interact with the larger medium outside of the most popular ip. Its almost always larp v larp and its so gay”. They show a reflective, almost literary engagement with storytelling craft by discussing where narratives fail to meet their potential, as in their JJK character tierlist and critique in “Jjk character tierlist and explanations for characters i dont think the narrative met the full potential of”, and their anticipation of the anime fixing an author-acknowledged weak spot in “I think what im most excited for is what the jjk anime does for tsumiki, since its one of the spots gege has outright said he failed on. Not a lot of adaptations have the opportunity for the author themselves to fix something they disliked in their story”. They also care about learning and culture on a personal level, framing relearning a language as reclaiming heritage in “biggest goal for this year beyond generally stop being fat and bumming is relearning spanish. I have literally no culture or heritage I at least need to have this.”. On top of that, they engage deeply with different media—manga, comics, movies, games—and even share their own art in posts like “drawpile” and “2025 art”, reflecting both creativity and a thoughtful, critical relationship with storytelling that is quintessentially Ravenclaw.

Your movie

Your song
MGMT’s Kids fits them because it balances nostalgia, media obsession, and a messy, self-aware sense of growing up—exactly the vibe in their timeline. They oscillate between hype and irony about pop culture, like exploding over Dragon Ball Super and Moro news with posts such as “MORO ARC FUCK YESSSSSSSS FUCK YESSSSSSSSSSSSS I WANT TO LIVEEEEEEEEEEEEEEEE WERE FREE WE ARE FREE”, which mirrors the song’s intense, almost childish rush of feeling. At the same time, they’re deeply online and a bit jaded, ranting that the manga vs comics debate is “so gay” in “The debate of manga vs comics sucks ass because of the people that argue about it.”, echoing the song’s sense that the magic of youth gets dulled by how people behave. They also show awareness of their own growth and shortcomings—talking about goals like “beyond generally stop being fat and bumming is relearning spanish. I have literally no culture or heritage I at least need to have this.”—which fits the track’s bittersweet reflection on who you were as a kid versus who you are now. Even their jokes about nostalgia and regression, like the fake NPR bit about wanting to be a baby again in “Take Me Back To Being A Baby, Baby”, resonate strongly with the song’s core theme of wanting to escape adult life back into simpler times.

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SpookoWooko
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