Strengths and Weaknesses
Strengths:
- Enthusiastic fan: Shows intense excitement for music, games, and media, e.g. Jhariah, FNAF, Tyler, Ultrakill, and movies like The Wild Robot in tweets like “HOLY FUCKINY SHIT LETS FUCKINT GOOO…” and “just listened to jhariah's trust ceremony, holy fucking shit 10/10”.
- Creative hobbyist: Creates custom 2DS/3DS themes and shares them, e.g. “kinda shitty jhariah 2ds theme I whipped up in an hour” and “all the 3ds themes ive made”.
- Supportive promoter: Promotes and credits other artists and commissioners, e.g. “kerdly art: @Confetilly beckory art: @EmsFNAFrambles” and “got it commissioned from @L0VERSEYES she's really talented and y'all should go commission her!”.
- Humorous commenter: Uses playful, meme-heavy humor in reactions, e.g. “I choose #TheGayPipe” and “oh my goodness gracious awooga holy guacamole the cat meows and the hawk tuahs amirite”.
- Media-savvy critic: Engages critically with media/tech and fandom culture, e.g. “man I fucking hate that Optimus robot I want the robots to have true like actual intelligent thoughts…” and “I hate these engagement bait posts so much…”.
Weaknesses:
- Harsh language: Frequent use of extreme, aggressive phrasing that can come off intense, e.g. “I'm going to fucking kill myself holy fucking shit” and “I hope everyone who copyrights music that isn't there's dies a gruesome death”.
- Doomer tone: Often expresses hopelessness or catastrophic thinking about events, e.g. “so we're all fucked, oh my fucking god” and “ricky gervais got cast in the dogman movie im going to kms I hate him so fucking much”.
- Platform frustration: Shows strong resentment toward social media that may drain energy, e.g. “instantly remembered why I don't use this fuck ass app anymore” and “I don't care how bad things get here I'm not going to bluesky it's here or tumblr”.
- Impulsive reactions: Posts very in-the-moment emotional responses to news or events, e.g. “WAIT THEY FUCKING FAILED AGAIN GOD FUCKING DAMNIT HOW HARD CAN IT BE” and “EVERY TIME I TRY TO SAVE MONEY SHIT LIKE THIS RELEASES RAHHHHHHHHHH”.
- Self-deprecating stress: Talks about being overwhelmed or clueless in a self-putting way, e.g. “doing tech support for my friend rn, tbh I have no fucking clue what I'm doing” and “I wanna sleep but I'm helping my irl with bomb rush cyberfunk modding and if it doesn't wrap up soon I might actually pass out”.
Your Simpsons character
Lisa Simpson
Lisa fits best because this user is an excitable, very online nerd with strong opinions and a creative streak, much like Lisa’s mix of passion and overthinking. They hyperfixate on niche media and music — from “holy shit that new dialtown dlc is so fucking peak” to “just listened to jhariah's trust ceremony, holy fucking shit 10/10” — which echoes Lisa’s obsessive love for her interests (jazz, books, causes). Their political and social awareness shows through in posts like “can someone do this to trump please 🙏🙏🙏🙏🙏” and “there is no time more than right now in which we need the gleeks”, mirroring Lisa’s tendency to react strongly to current events. They also balance cynicism and sincerity: complaining about platforms in “I don't care how bad things get here I'm not going to bluesky it's here or tumblr” but still getting genuinely emotional over art like “update cried my eyes out holy fuck I love the cornetto trilogy”. Finally, their nerdy enthusiasm for games and fandoms — from “I started playing fnaf ar... ngl this is fun asf” to “it's ultrakillin time” — captures the same earnest, slightly dorky energy Lisa has when she dives into her own hobbies.
Your MBTI personality Type
ENFP
They read as more Extraverted than introverted: they openly share strong reactions, hyperfixations, and concert plans (e.g. getting tickets, seeing Jhariah live) and use a lot of expressive caps and audience-facing language like “CHAT THERES A SHOW IN GLASGOW I MIGHT BE ABLE TO GO POSSIBLY MAYBE IF IM LUCKY”, which suggests energy from external engagement rather than quiet reserve. Their interests and tweets are highly idea/possibility-oriented, pointing to Intuition: they fixate on fictional universes, timelines, meta-jokes, and abstract desires for AI (“actual intelligent thoughts… not gen ai slop”) as in “man I fucking hate that Optimus robot I want the robots to have true like actual intelligent thoughts, the capacity to think for themselves and actual creativity born from their unique experiences”. They seem more Feeling than Thinking: even when discussing politics or media, they react through strong value-laden emotion rather than structured logic, e.g. “ricky gervais got cast in the dogman movie im going to kms I hate him so fucking much” and “I hope everyone who copyrights music that isn't there's dies a gruesome death”. Finally, their lifestyle looks spontaneous and flexible, not tightly planned, indicating Perceiving: they frequently react to sudden drops, sales, and new releases with impulsive decisions (“EVERY TIME I TRY TO SAVE MONEY SHIT LIKE THIS RELEASES RAHHHHHHHHHH”) and talk about tech mishaps and last-minute struggles like “doing tech support for my friend rn, tbh I have no fucking clue what I'm doing” rather than maintaining a controlled, scheduled persona. Overall, the energetic expressiveness, hyperfixations, emotional intensity, and go-with-the-flow chaos best match ENFP.
Some pickup lines for you
- If gender is just a myth invented by Nintendo to sell more pink DSis, can I be the limited-edition 3DS theme you whipped up in an hour that somehow becomes your new hyperfixation?
- You got Hawaii Part II on vinyl, Tenebre Rosso Sangue, Jhariah on ‘jhinyl’, AND you’re a Trust Ceremony enjoyer… statistically speaking, the next thing you collect should be my phone number.
- You survived Ticketmaster for Tyler AND Jhariah, cried at the Cornetto trilogy rerelease, and still have energy to scream about FNAF the Musical lore—are you sure you’re not the real protagonist of ‘The Undeniably Canon FNAF Timeline’?
- You said life’s been ‘decently cool’ since you saw Jhariah live, got hyperfixated on Tony Becker from GGY, and Tomodachi Life 2 got announced… be honest, would adding a date with me bump that review up to a 10/10 Trust Ceremony closer?
- You chose #TheGayPipe, play Forsaken AR, mod Bomb Rush Cyberfunk, and hate that Optimus robot for being soulless—so if I promise I’m more ‘weird little guy with actual thoughts’ than ‘gen AI slop that does the dishes,’ do I unlock a spot in your next stardisafcore photo dump?
Your 5 Emojis
Your new Twitter bio
Minor • they/she/any • FNAF, ULTRAKILL & musical enjoyer. Once bought a vinyl before groceries and have no regrets. Opinions are my own.– @STarDiSaF
Your signature cocktail
Trust Ceremony Hyperfixation Fizz
The Trust Ceremony Hyperfixation Fizz is loud, chaotic, and sweet-sour in exactly the way someone who tweets “life's been decently cool recently, saw jhariah live, got hyperfixated on tony becker from fnaf ggy and they announced tomodachi life 2” deserves. Watermelon soda nods to the 🍉 in their name and their bright, playful vibe, while sour apple captures the sudden mood swings of posts like “I'm going to fucking kill myself holy fucking shit”. A shot of espresso/cold brew matches their intense, hyper, all-caps energy in tweets like “HOLY FUCKINY SHIT LETS FUCKINT GOOO” and constant excitement over music, games, and tickets. The glittery blue curaçao syrup represents the neon, fandom-heavy aesthetic of posts such as “it's ultrakillin time” and their love for stylized media like FNAF and Dialtown. A dash of bitters grounds the drink in their frustration with the world and tech, like “I fucking hate daylight savings time why do the clocks randomly go back for like 3 months” and “doing tech support for my friend rn, tbh I have no fucking clue what I'm doing”. Finally, the whipped cream cloud with rainbow sprinkles crowns it all as a queer, maximalist flourish for someone who says “gender is a myth created by nintendo so they could sell more pink dsi” and screams joy over vinyls like “I FINALLY GOT THE HAWAII PART II VINYL YIPPEE LETS FUCKING GOOO”.
Your Hogwarts House
Ravenclaw
Their tweets show a mix of creativity, niche knowledge and analytical thinking that leans most strongly toward Ravenclaw. They spend time making custom 3DS/2DS themes and proudly cataloguing them, which is both creative and detail‑oriented: “all the 3ds themes ive made…” and “kinda shitty jhariah 2ds theme I whipped up in an hour”. They also enjoy dissecting media and fandom phenomena rather than just consuming them; for instance, they critically assess engagement‑bait marketing in fandom spaces in “I hate these engagement bait posts so much… just post about your show nobody cares”, and complain that robotics should aim for true intelligence and creativity in “I want the robots to have true like actual intelligent thoughts… not gen ai slop”. Their frustration with copyright abusers in “I hope everyone who copyrights music that isn't there's dies a gruesome death” and disappointment over the lack of a Beetlejuice proshot in “im still so fucking pissed beetlejuice the musical never got a proshot…” both show a principled concern for access to art and information, a classic Ravenclaw value. While they do show emotion and loyalty (e.g. repeatedly celebrating favorite artists and shows like Jhariah and FNAF in tweets such as “just listened to jhariah's trust ceremony, holy fucking shit 10/10”), the dominant throughline is a love of media analysis, creativity, and intellectual ideals, which fits Ravenclaw best.
Your movie
Your song
Cradles - Sub Urban
A well‑known song that fits them is Cradles by Sub Urban. The track’s chaotic, slightly unhinged energy mirrors how they tweet in all caps about hyperfixations and media, like “HOLY FUCKINY SHIT LETS FUCKINT GOOO TA0EWORNS AHUYAYAYAA YAA YAAA WOEY” and “HOLY SHIT HOLY SHIT HOLY SHIT HOLY SHIT HOLY SHIT”. Lyrically, Cradles is about growing up weird in a broken, overstimulating world, which fits their blend of dark humor and genuine overwhelm, like “I'm going to fucking kill myself holy fucking shit” next to excited posts about vinyl and concerts such as “JUST GOT MY MARVINS VINYL”. The song’s juxtaposition of playfulness and dread reflects how they bounce between political anxiety (“so we're all fucked, oh my fucking god”) and niche fandom joy like FNAF and musicals (“FIRST NIGHT AT FREDDY'S A FNAF THE MUSICAL MOVIE?????? WHAT THE FUUUUUUUCK”). Overall, Cradles captures their loud, online, chronically‑hyperfixated vibe and the way they cope with chaos by leaning into absurdity.
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