Strengths and Weaknesses
Strengths:
- Passionate fan: Shows intense enthusiasm for faves, e.g. defending Ganyu in Genshin (“GANYU NEEDS THAT DAMN BUFFS NOW”) and hyping groups like NMIXX (“Nmixx is really the only good group we have”).
- Humoristic commentator: Uses exaggerated, meme-y language to entertain, like the running “end skz” bit (“How it feels to end skz”) and jokes about fandom drama (“Kpop Stan pmo so bad like why are you dumb asf”).
- Emotionally expressive: Openly shares feelings about life and relationships, e.g. being stalked by an ex (“SO A EX THING OF ME IS STALKING ME FROM OTHER ACCOUNT SINCE 2 YEARS AGO????”) and anxiety about seeing an ex in person (“OMFG my ex is in the same place as me…”).
- Self-aware identity: Comfortable stating identity and how others see them, e.g. openly saying “I’M GAY” and reflecting on being called a femboy by exes (“Thinking about the time most off my exs tell me I’m femboy”).
- Engaged community-member: Actively interacts with fandom and mutuals via quote tweets and stats, like tracking streams (“Spotify monthly listeners BEABADOOBEE 23.3M… Skz 11.5M”) and celebrating TWICE’s tour success (“#TWICE is the first JYPE act to SOLD OUT a tour in Australia”).
Weaknesses:
- Hostile language: Frequently uses insults for people and fandoms, e.g. calling a schoolmate “the most racist homophobic ho” (“Mind you this bitch is the most racist homophobic ho in the school”) and labeling fans “dumb asf” (“Aespa is flopping + fans dumb asf”).
- Slur usage: References or normalizes slurs, like criticizing others for “saying 3 slurs” (“Saying 3 slurs like that..”) while also joking about offensive language in fandoms (“TOKKIS ARE WEIRD ALWAYS MAKING FUN OFF ‘Retarded’ JOKES”).
- Overly combative stan: Frames everything as ‘ending’ or ‘tanking’ other groups, which fuels unnecessary rivalry, e.g. repeated “end skz” posts (“Remember the day I end skz”) and dragging multiple groups in one go (“Skz music is ass + fans are weird asf Twice is kinda flopping…”).
- Harsh generalizations: Makes sweeping negative claims about whole fandoms/groups, like ranking “MOST ANNOYING FANDOMS” (“MOST ANNOYING FANDOMS 1 stays 2 tokkis 3 armys/blinks 4 once 5 mys”) and saying “Nobady cares” about groups (“Exo Nobady cares… Nct Nobady cares kinda”).
- Public drama-sharing: Shares personal conflicts in detail online, e.g. posting about an ex stalking them (“SO A EX THING OF ME IS STALKING ME FROM OTHER ACCOUNT SINCE 2 YEARS AGO????”) and live-tweeting being in the same place as an ex (“OMFG my ex is in the same place as me…”), which can invite more stress or unwanted attention.
Your Simpsons character
Bart Simpson
This user matches Bart Simpson most closely: chaotic, provocative, and constantly clowning on everyone around him. They love stirring the pot with over-the-top drags and fanwars, like when they posted “Skz music is ass + fans are weird asf Twice is kinda flopping + fans weird asf Nmixx is literally the perfect group” and “MOST ANNOYING FANDOMS 1 stays 2 tokkis 3 armys/blinks 4 once 5 mys”. Their whole "ending" bit is pure Bart-style menace, as seen in “How it feels to end skz” and “A NEVER ENDING SKZ ENDINGSSSSSSSSSSSS”. At the same time, there’s a dramatic, emotional core under the trolling—shown in a bio like “when you’re lost,here I am forever with your soul (T_T)” and personal posts such as “SO A EX THING OF ME IS STALKING ME FROM OTHER ACCOUNT SINCE 2 YEARS AGO????”. That combination of loud chaos, mischief, and hidden sensitivity is textbook Bart.
Your MBTI personality Type
ENFP
They read as an Extrovert (E): their timeline is highly outward-facing, full of loud, performative posts, stan drama, and reactive commentary, e.g. “A NEVER ENDING SKZ ENDINGSSSSSSSSSSSS” and “Kpop Stan pmo so bad like why are you dumb asf”, which suggests they gain energy from social interaction and online engagement rather than private reflection. They lean strongly Intuitive (N): they constantly compare groups, talk in exaggerated hypotheticals, and focus on narratives and concepts ("ending" fandoms, industry dynamics) rather than concrete day‑to‑day detail, like in “NEW JEANS WILL NEVER RELEASE MUSIC AGAIN ILLIT CONCEPT IT’S NOTHING NEW LESSERAFIM NEED VOCAL LESSONS TXT IS FLOPING BAD...”. Their decision-making style appears Feeling (F): posts are driven by emotional reactions, likes/dislikes, and personal loyalty (“mothers,” “I’M GAY,” etc.), with value‑laden judgments rather than structured logic, as in “Skz music is ass + fans are weird asf Twice is kinda flopping + fans weird asf Nmixx is literally the perfect group”. Finally, they look more Perceiving (P) than J: they come off impulsive, chaotic, and in-the-moment (e.g. “OMFG my ex is in the same place as me I swear if I see him or he comes to talk to my I’m goin insane” and “I’m so bored omg”), with little evidence of structured planning or orderly long‑term organization. The mix of high-energy social engagement, big-picture fandom narratives, emotionally charged evaluations, and spontaneous posting aligns best with ENFP.
Some pickup lines for you
- You’re out here ending SKZ with Twice’s discography, but honestly? The only thing getting ‘ended’ right now is my sanity every time you tweet from Club Icarus like you didn’t just drop another iconic drag thread.
- You said NMIXX is literally the only good group we have… bold, but I get it. Still, plot twist: you + me would out-chart half of JYPE in one (very messy, very cunty) duo debut.
- The way you talk about your ‘mother’ serving food and your real mom in that video… you’ve clearly been raised on taste. So be honest: are you serving tonight too, or do I need to bring the plate to you?
- You keep saying ‘how it feels to end skz’ with every meme, but I wanna know how life feels when you’re not a stay AND you have someone obsessed with your IA music, Nijigasaki, and beabadoobee takes sitting in your DMs.
- You’ve survived exes calling you a femboy, being stalked for two years, and still pulled up with ‘I’M GAY’ and ‘#NuevaFotoDePerfil the other pfp was NOT me’—I don’t want to ‘fix’ you, I just want front-row seats to whatever era you’re in next.
Your 5 Emojis
Your new Twitter bio
K-pop stats, stray hot takes & a little chaos. Once ended SKZ on main, still defending TWICE in group chats. Currently learning to drive IRL.– @Tsuruloonatic
Your signature cocktail
Skz Ender Soul Bomb
This cocktail is loud and chaotic, just like their timeline of never-ending drags and confidence about “How it feels to end skz” “How it feels to end skz”, so the spicy chili-infused vodka represents their sharp tongue and unfiltered reads. The blue curaçao stands for their love of K‑pop boy groups and pretty boys like Soobin “And I like soobin”, giving the drink a bold, idol-stage color. Pomegranate juice adds a dramatic, slightly dark sweetness for the emotional, soul-tied bio “when you’re lost,here I am forever with your soul (T_T)” and their chaotic love life, from exes calling them femboy to being stalked “SO A EX THING OF ME IS STALKING ME FROM OTHER ACCOUNT SINCE 2 YEARS AGO????”. The sparkling yuzu soda is their hyper, meme-heavy energy, always screaming in all caps about charts and ends “A NEVER ENDING SKZ ENDINGSSSSSSSSSSSS”. Finally, the edible glitter rim with smoked salt reflects their mix of campy, glittery cunt music taste “CUNT MUSIC DONE RIGHTTTTTYTYYTYYYYYY” and the salty, ruthless opinions like calling fandoms annoying and groups flopping “Skz music is ass + fans are weird asf… Nmixx is literally the perfect group”. This is a strong, sparkling, experimental drink meant to be sipped while you’re mentally “Cooking my skz endings on twice discography” “Cooking my skz endings on twice discography”.
Your Hogwarts House
Slytherin
Their timeline is dominated by competitive, almost combative stan language that centers on winning and “ending” others, which is very Slytherin-coded. They repeatedly frame themselves as someone who "ends" groups or fandoms, e.g. “Remember the day I end skz” and “How it feels to end skz”, showing a preoccupation with status, dominance, and impact. They also boast about their own influence with lines like “My impact”, which reflects ambition and a desire to be seen as powerful. Even in broader K‑pop takes, they speak strategically about groups’ success and failure, such as “Aespa is flopping + fans dumb asf… Exo Nobady cares… Nct Nobady cares kinda” and long comparative stats posts, which reads as status‑calculating rather than purely emotional. While there are hints of vulnerability (e.g. “SO A EX THING OF ME IS STALKING ME FROM OTHER ACCOUNT SINCE 2 YEARS AGO????”), the dominant traits are sharp-tongued competitiveness, ambition, and a survivalist edge, which align most strongly with Slytherin.
Your movie
Your song
God's Menu - Stray Kids
The song that best suits them is God's Menu by Stray Kids. They’re extremely online, chaotic, and thrive on fanwar humor, constantly talking about “ending” groups and chart stats, like when they joked about Twice vs. SKZ streams in “Spotify monthly listeners BEABADOOBEE 23.3M ——— HELP ME—— ——— BEA ENDED—— —— TWICE ENDED— Skz 11.5M”. God’s Menu is aggressive, performative and cocky in exactly the way they tweet, matching posts like “A NEVER ENDING SKZ ENDINGSSSSSSSSSSSS” and “How it feels to end skz”. They live for performance, fancams and choreography, constantly praising idols’ stage presence in tweets like “I fuking love the choreo and the colors of the clothes” and “They can’t say a bp member because nobody of them dance with this energy”, which fits the performance-heavy, swaggering energy of God’s Menu. Even their hyperfixation on SKZ charts, such as comparing views and streams while posting “Fancy 600M ——————— ——————— ——————— God’s menu 501M”, shows that this particular track lives rent-free in their head. Overall, the loud, competitive, performance-obsessed tone of God’s Menu mirrors their timeline perfectly.
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