Strengths and Weaknesses
Strengths:
- Deeply empathetic: Shows strong emotional attunement to vulnerable characters, e.g. defending traumatized girls and Gwen in TBP2 in “im so incredibly tired of media killing heavily traumatized and vulnerable girls…” and “as much as i love finn every time i remember how he treated gwen…”.
- Analytical thinker: Breaks down character motivations and thematic patterns in depth, like dissecting Finn’s behavior toward Gwen in “but he was acting just like him, antagonizing her and her abilities…” and analyzing possession/ghost rules in “the possession trope is such an underexplored theme in tbp 2 fics and stories…”.
- Passionate creative: Engages intensely with media and ships, inventing scenarios and headcanons such as finney/will in “finney and will meeting but it's just the both of them freaking out for the other…” and Ernestro’s glasses backstory in “i dont even think ernesto needs glasses that bad…”.
- Loyal fanfriend: Supports friends and creators enthusiastically, tagging oomfs in memes in “4 characters i love and 4 oomfs to do the same🩷” and praising Yara as “the sweetest most creative talented and lovely person” in “yara truly is the sweetest most creative talented and lovely person on this app…”.
- Humor resilient: Uses humor to cope with stress and dark topics, like joking about doomed sibling duos in “maybe this is my final straw to stop focusing on the supernaturally gifted sister and brother duo…” and the cockroach incident in “i was trying to kill a cockroach and it dissapeared”.
Weaknesses:
- Scattered focus: Directly notes difficulty staying on one interest in “im so scattered with my interests recently i need to focus on smt and stick to it”, reflected in rapidly rotating fandom obsessions.
- Anger driven: Frequently expresses intense rage responses, like wanting to “smack” Finn in “every time i remember how he treated gwen in tbp2 i want to smack him in the face so hard” and threatening “solar bombs in remmick's direction” in “i miss sammine so much im about to send 1000 more solar bombs in remmick's direction”.
- Emotion overtaxed: Often describes feeling exhausted or overwhelmed, e.g. “i feel like shit and im angry at everyone i think i should rewatch sinners” and “once again closing my eyes trying to ignore all the problems just to focus on my beloved characters”.
- Doom fixation: Repeats patterns of gravitating toward doomed, tragic dynamics that hurt them, like doomed siblings in “theyre always DOOMED. they never get a happy ending” and lamenting doomed pairs like megumi/tsumiki and gwen/finney in “megumi and tsumiki, gwen and finney, cait and jayce even and now willel GOD they keep beating me when im down”.
- Media overinvestment: Their mood seems heavily tied to media outcomes, e.g. being “so incredibly tired” of specific tropes in “im so incredibly tired of media killing heavily traumatized and vulnerable girls in the name of self sacrifice” and feeling the need to “lock the fuck in and rewatch” when missing ships in “okay maybe i need to lock the fuck in and rewatch bc i miss them sm”.
Your Simpsons character
Homer Simpson
A classic match.
Your MBTI personality Type
ENFP
Extroversion: They constantly reach out toward fandom communities and friends, inviting interaction and aligning their moods with the broader timeline, as seen in posts like “holy shit between the golden globes and certain documentary being out my whole tl is YELLING”. Intuition: Their thoughts orbit hypothetical scenarios, symbolism, and emotional subtext rather than concrete facts, exemplified by “the possession trope is such an underexplored theme in tbp 2 fics… imagine the extension of that if smt went wrong”. Feeling: Reactions are charged with empathy and value judgments—whether defending characters or lamenting tropes—like “im so incredibly tired of media killing heavily traumatized and vulnerable girls…”. Perceiving: They bounce between many obsessions, embrace spontaneity, and joke about their scattered focus, such as “im so scattered with my interests recently i need to focus on smt and stick to it”. Taken together, their energized engagement, speculative imagination, heartfelt commentary, and fluid planning style align best with ENFP.
Some pickup lines for you
- Since you’re the #1 fan of yellow characters, let me be the blue to your Percy—together we can go full Percabeth palette.
- If Finn keeps gaslighting Gwen in TBP2, maybe you need someone who’ll actually light candles and let you ragebait eldritch entities in peace.
- Consider this my audition for your ‘4 characters I love’ challenge: I come with matching hair, Mythomagic skills, and zero proshipper DNI worries.
- You said ryan needs to sum up Pearline’s backstory next—how about we co-write it over popcorn while we rewatch Sinners and you yell at remmick again?
- You called percabeth officially blue-and-yellow coded; I’m ready to be your personal color theory proof that doomed siblings aren’t the only ones who can get a happy ending.
Your 5 Emojis
Your new Twitter bio
Pop-culture strategist cataloging doomed siblings, blue-yellow ships, and blood-splattered final girls—still bragging about sneaking into an IMAX re-release.– @wildeyedstorm
Your signature cocktail
Finney’s Yellow Final Girl Fizz
Charred citrus mezcal spritz mirrors their intense, scattered fandom energy and obsession with characters who go 'demon mode' for loved ones, as in “one of my favorite things abt finney in bp2 is how he already gave up on literally everything abt his life until he learns gwen is the one in danger. then he enters demon mode”. Golden chamomile-honey syrup nods to being the '#1 fan of yellow characters' from their bio and the soft devotion hinted in “MY SHAYLAS😭😭😭 percabeth stocks are so high rn we love it”. Blackberry ghost-pepper jam keeps things sweet yet searing, capturing their love for blood-soaked final boys and biting critiques like “as much as i love finn every time i remember how he treated gwen in tbp2 i want to smack him in the face so hard”. Activated charcoal tonic mist evokes the spectral, possession-heavy headcanons they crave, channeling “the possession trope is such an underexplored theme in tbp 2 fics… imagine the extension of that if smt went wrong”, making the whole sip dramatic, experimental, and just a little haunted.
Your Hogwarts House
Gryffindor
Their feed overflows with fierce loyalty to beloved characters and a blazing urge to defend them, even when it means courting conflict: “as much as i love finn every time i remember how he treated gwen in tbp2 i want to smack him in the face so hard” shows the classic Gryffindor instinct to confront injustice head-on. They champion underdogs and condemn harmful tropes with no hesitation, e.g., “im so incredibly tired of media killing heavily traumatized and vulnerable girls in the name of self sacrifice”, a statement rooted in moral courage. Their dramatic readiness to “ride at dawn” to avenge creative choices—“now im gonna ride at dawn to kill everyone who decided to add the comercial break at that very moment”—underscores impulsive bravery. Even in personal life, they fight through negativity by powering up with intense rewatch sessions, as seen in “i feel like shit and im angry at everyone i think i should rewatch sinners”, reflecting that quintessential Gryffindor refusal to yield. Their timeline reads like a string of battle cries—protecting favorites, calling out flaws, and plunging back into emotional wars—so the lion’s house is the only fit.
Your movie
Your song
Yellow Flicker Beat - Lorde
Yellow Flicker Beat’s feral resilience matches Ana’s fixation on “yellow characters and final boys & girls covered in blood” and her love of trauma-forged heroes, as seen when she gushes that Percy looks “completely void, like he has nothing left to lose” in “finally finished percy jackson s2…”. The song’s lyrics about claws out survival and refusing to dim align with her obsession over haunted siblings like Finn and Gwen, whom she defends even while critiquing Finn for “disregarding and gaslighting her” in “as much as i love finn…”. Its cinematic, battle-ready energy mirrors her repeated declarations that scenes are “absolute cinema” and “peak,” exemplified by “oh this is going to be fucking peak…”.
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