Strengths and Weaknesses
Strengths:
- Unique: Their tweets show individuality.
Weaknesses:
- Mysterious: Hard to analyze from limited content.
Your Simpsons character
Comic Book Guy
This user most closely resembles Comic Book Guy, who is defined by elitism, gatekeeping, and contempt for anyone he deems an outsider. The user constantly treats games and fandoms as exclusive clubs for the 'real' audience, saying things like “Yeah this is our game , get out of here you stupid tourist” and “>Tourist >Opinion invalid”, which mirrors Comic Book Guy’s obsessive gatekeeping of nerd culture. Their fixation on sexualized waifus and idealized female bodies, such as “This is the ideal female body. You may not like it, but this is what peak performance looks like.”, also fits his creepy, objectifying fanboy persona. The user’s constant sneering at ‘queer people’ and others they consider outsiders – for example “Queer people should have never been allowed to be near Otaku entertainment....they just made everything worse” – reflects Comic Book Guy’s misanthropic, superior attitude toward almost everyone. Overall, their combination of fandom obsession, hostility, and smug superiority makes Comic Book Guy the best match.
Your MBTI personality Type
ESTJ
They show clear Extraverted tendencies: they actively seek confrontation and visibility in fandom spaces, rallying others to action, such as urging people to email or report developers in tweets like “If someone wants to send feedback to publisher yostar you can send an email to arknights...” and “Now that I attracted a lot of attention, fellow ML lovers , please also report this line...”. Their focus is strongly Sensing, rooted in concrete, surface-level features—sexualization of characters, specific lines of dialogue, and visible traits of other users—seen in tweets like “All hot/ cute female game characters exist to be sexualized” and “Just to remind that all ZZZ female characters are made for male gaze”. They are sharply Thinking-oriented, valuing blunt judgment and perceived "facts" over empathy, calling people “stupid,” “retarded,” or “mentally ill” in tweets such as “Yeah , we are not the same , I do not have mental retardation like you” and “The answer is obvious , queer people are hypocrites , thats a fact”. A strong Judging preference appears in their rigid rule-setting about what is or is not allowed in fandoms, e.g. “The only ships allowed are the ones including the MC , stop being a cuck” and “Queer people should have never been allowed to be near Otaku entertainment....they just made everything worse”. They consistently frame things as strict standards to enforce, not as flexible preferences, aligning best with an ESTJ profile—outspoken, rule-enforcing, and aggressively decisive in policing their communities.
Some pickup lines for you
- You keep saying all ZZZ waifus are made for the male gaze, but after your ‘This is the ideal female body’ tweet on 2026-01-21, I think Kuro secretly patched in a new archetype: the ‘xeco enjoyer’—mind if I roll for you too?
- You’re out here defending ML harem canon in ZZZ and Wuwa like it’s gospel, so be honest: if Wise is the canon MC and all waifus belong in his harem, does that make you my guaranteed limited banner or do I still have to farm your affection like Lucilla feedback emails on 2025-12-28?
- For someone who says ‘2D waifus >>> 3D’ (2026-01-08), you sure tweet like a perfectly min-maxed real-life SSR—if I promise to respect Snowbreak and ZZZ’s true target audience, can I get a spot in your party comp?
- You called being labeled transphobic ‘a medal of honor’ on 2026-01-07 and celebrated gatekeeping tourists out of gacha on 2026-01-27, so if I’m still here reading your every Snowpeak and Nazuka post… does that earn me honorary veteran sensei status by your side?
- You said on 2025-12-25 that Belle is part of Wise’s harem because an imouto belongs to her big brother when he’s the MC—so if you’re the MC of this timeline, should I start acting like your most devoted waifu and let you speedrun my heart like a romance patch 2.5?
Your 5 Emojis
Your new Twitter bio
Gacha gamer & anime enthusiast. Analyzing waifu design, game storytelling & fandom culture. Once pulled the wrong banner and wrote a 10-thread review about it.– @xecoglet
Your signature cocktail
Cunny Grail Gatekeep Sour
The Cunny Grail Gatekeep Sour is a harsh, high-proof mix that mirrors how they proudly call being insulted a badge of honor, like when they said “Being called transphobic is a medal of honor” and bragged that “You know you are doing a good job when all the pro trans people are angry at you”. Overproof rum stands for the aggressive, unfiltered energy behind tweets like “So in resume you dont care at all about Snowbreak , you just came here to complain , you are a stupid retard , get out of of this game socials”. Black coffee cold brew matches their chronically online, gacha-obsessed grind, as seen when they gush that “This is what all Gacha Games need to have ,this is peak storytelling , this is what the target audience wants”. The bitter grapefruit juice captures their contempt for “tourists” and queers in fandoms, like “Yeah this is our game , get out of here you stupid tourist” and “Queer people should have never been allowed to be near Otaku entertainment....they just made everything worse”. Ginger syrup adds a sharp, burning sweetness reflecting their obsessive lust for waifus in lines like “This girl has the perfect body for breeding , she gonna be always pregnant once i get my hands on her 😭😭😭😭”. The smoked salt rim represents the constant salt and flame wars they revel in while declaring “Gaming is right wing by nature , it wasnt until wokies put their hands on it that everything went to trash” and rallying that “this community truly wants , to drive off normal people , but we are not letting them do it , these spaces were always for us and will always be for us”.
Your Hogwarts House
Slytherin
This account consistently frames fandom and gaming as a power struggle over who gets to define and control the space, which is strongly Slytherin-coded ambition and in‑group protection. For example, they write that queer people "should not be allowed near Otaku entertainment" and celebrate that "these spaces were always for us and will always be for us" in “This what this community truly wants , to drive off normal people , but we are not letting them do it , these spaces were always for us and will always be for us”, showing territoriality and strategic gatekeeping rather than fair play or kindness. They repeatedly encourage coordinated action to pressure companies, e.g. organizing email and feedback campaigns: “Now that I attracted a lot of attention, fellow ML lovers , please also report this line in the feedback section in the game” and “If someone wants to send feedback to publisher yostar you can send an email to arknights.en.cs@yo star.com, I already did my part”, which demonstrates calculated, goal‑oriented influence. Their language around "tourists" and "target audience"—for example “Yeah this is our game , get out of here you stupid tourist” and “This is what this community truly wants , to drive off normal people"—shows a strong us‑vs‑them hierarchy and desire to consolidate power within a chosen group. There is little evidence of Hufflepuff-style kindness or Ravenclaw curiosity, and while they are blunt and confrontational, the pattern is less Gryffindor heroism and more Slytherin-style pursuit of dominance and preservation of their perceived in‑group. Overall, the ambition to shape whole fandoms, the organized campaigns to pressure devs, and the protective, exclusionary rhetoric align most closely with Slytherin values of ambition, resourcefulness, and in‑group loyalty.
Your movie
Your song
Misery Business - Paramore
A fitting song for @xecoglet is Misery Business by Paramore because it captures an openly combative, gatekeeping attitude and pride in being the villain of someone else’s story. They repeatedly frame fandom and gacha spaces as a battlefield where only the 'target audience' deserves to stay, e.g. “Gatekeep is working as intended , keep doing it , these people shouldnt be allowed to play our games” and “Yeah this is our game , get out of here you stupid tourist”. The song’s spiteful confidence parallels their delight in provoking and excluding others, like “Always funny to see queer people and tourists thinking their voice matter in gachas , keep crying you stupid people , not gonna change anything , Snowbreak is for us”. Much like the narrator of Misery Business revels in winning and rubbing it in, @xecoglet shows satisfaction in conflict, as seen in “If you want to have a good laugh , check the quotes , a lot of people with mental illness angry and coping lmao”. The aggressive, unapologetic tone of the song reflects their proudly antagonistic online persona.
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