
Strengths and Weaknesses

Your Simpsons character
Like Bart, @yenholm is a 15-year-old rebel with a penchant for skateboarding and internet-edge humor, frequently expressing a disdain for school and authority. Their chaotic energy is evident in tweets where they admit to being “sad as fuck for no reason all the time” while striving to be “jollier and more joyous,” mirroring Bart's inner conflict between mischief and a desire for approval. They share Bart's love for gaming and subcultures, as seen when they state “i wish i could go skate rn but the weather sucks” and post “drawings in math class today.” Ultimately, their blend of sarcastic wit, interest in MS Paint art, and general teenage angst makes them the perfect digital incarnation of the Simpsons’ resident troublemaker.

Your MBTI personality Type
@yenholm displays strong Introverted (I) traits through solitary hobbies like “sitting in the boiler room at my grandparents house while listening to aphex twin” and expressing a need for a “priv acc” for personal thoughts. Their Intuition (N) is evident in their abstract appreciation for music and aesthetics, such as describing an album as having a “similar vibe going and the cover art is so weird but cool”. They align with Feeling (F) due to frequent emotional check-ins, such as wanting to get “jollier and more joyous” or expressing deep appreciation for their friends. Finally, their Perceiving (P) nature is shown through a spontaneous, “fucked” sleep schedule and a preference for “random shit” over structured content.

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Your new Twitter bio
Digital artist and retro enthusiast. From surviving a kiwi allergy to sketching in math class, I’m documenting the chaos of being 15. Love Aphex Twin and MS Paint.– @yenholm

Your signature cocktail
This experimental concoction perfectly captures the chaotic energy of a 15-year-old 'professional chrome paint sniffer' who finds the number 69 aesthetically pleasing. The base is a dangerous kiwi syrup because as they said, "i almost died to a fucking kiwi today cuz i didnt know i was allergic to it". To channel their introspective side, the drink is served chilled and fizzy to mimic the vibe when they "sit in the boiler room at my grandparents house while listening to aphex twin". Finally, we top it with a dash of blue to honor their commitment to "team #CatsIfTheyWereABlueBerry!", creating a drink that is as 'freaky' and 'swag' as their math class doodles.

Your Hogwarts House
yenholm displays the classic Ravenclaw trait of creative eccentricity and a deep appreciation for niche aesthetics, such as their fascination with “#dfa2e0” and the technical design of numbers, noting “i wish the number 69 wasnt sexual cuz it actually looks cool”. Their analytical mind is often applied to media and art, shown when they offer complex critiques of music, like describing Come to Daddy as an album where “all the songs sound so different but it still somehow has a similar vibe going”. This intellectual curiosity extends to retro gaming and digital tools, evidenced by their sentimental memories of “experiementing with the colors and stuff” in Paint.net. Ultimately, their self-driven artistic output, including “my ant fanart” and various math class drawings, cements them as a creative thinker who values original expression.

Your movie

Your song
The song Windowlicker perfectly encapsulates yenholm's aesthetic, which blends avant-garde electronic music with a surreal, chaotic sense of humor. They repeatedly express a deep obsession with the artist, stating “my glorious king richie d james stands untouched” and describing his work as “so beautiful i love it so much”. Their fascination with unconventional visuals, like the “so weird but cool” cover art for Come to Daddy, mirrors the unsettling yet iconic imagery associated with this track. Furthermore, the user's habit of “listening to aphex twin and just think about life and stuff” in a boiler room highlights a lonely, atmospheric connection to the music. Ultimately, the song matches their edgy, internet-native persona and their specific passion for IDM culture and retro-digital experimentation.

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yenholm
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